Proceedings of the International scientific and practical conference ―Science at the Frontier of Progress‖ (January 27-29, 2026) / Publisher website: www.naukainfo.com. – Paris, France, 2026. - 302 p.

254 The manifestations about the subject of philosophical inquiry are being transformed. The performance experiences a decentralization of the author's position: the act no longer has the same meaning, and the spectator ceases to be a passive watcher. Meaning is formed in the space of mutual interaction, where all participants in the performative process receive their constitution. The gazer becomes a participant in the action, and the intersubjectivity of the performance creates the minds for a new type of philosophical insight that emerges from the vast expanse of presence and communication [7]. A further development of performative mysticism is taking place in the minds of digital culture, which completely changes the structure of performative evidence. Medialization and digital technologies transform the concepts of presence, physicality and appearance, translating performance into a hybrid space, making it physical and virtual, synchronous and asynchronous. Philosophical evidence in digital performance is formed through interfaces, recordings, streams and algorithmic media that challenge traditional statements about the authenticity and impartiality of evidence. Performance in digital culture emerges as a form of understanding the changing minds of people, in which the subject faces the fragmentation of time, multiple identities and the instability of reality. Performative mysticism also involves a radical transformation of the concept of truth. Within the framework of the performative paradigm, truth ceases to be conceived as a manifestation of the objective state of speeches and assumes the character of a story. The truth in a performance is not conveyed or represented, but is learned from a gesture and a mutual situation. It is procedural and contextual in nature and stands as an experience of evidence, and not as a universal affirmation. This approach opens up the possibility of a critical review of dominant scientific and cultural narratives that claim neutrality and objectivity [1; 7]. In this way, the performative mystique of late modernity stands as a richly world-wide form of philosophical evidence, which embraces corporeality, corporeality, intersubjectivity, digital mediation and more critically re-interpretation of truth and knowledge. It not only reflects the transformation of modern culture, but