Proceedings of the International scientific and practical conference ―Science at the Frontier of Progress‖ (January 27-29, 2026) / Publisher website: www.naukainfo.com. – Paris, France, 2026. - 302 p.

255 also actively forms new ways of philosophical understanding of the world in the minds of late modernity. Performance in the minds of digital culture In the minds of digital culture, performative mysticism recognizes the essential transformations associated with the change of modes of presence, corporeality and reality. The medialization of performative practices translates performance from the space of indirect physical interaction into a hybrid space, to communicate in reality and virtual, synchronous and asynchronous, physical and media mediated. In this context, philosophical evidence is no longer based solely on the presence of the mouse and the gazer, but is formed through digital interfaces, recordings, streaming and algorithmic media. Performance in digital culture stands not only as an artistic act, but also as a way of understanding the changing minds of people, where the subject is faced with the instability of identity, fragmentation of time and multiple realities. In the late modern cultural space, performance can be understood as a specific form of critical knowledge that functions as a posture between classical epistemological models. Performative fiction not only illustrates social and philosophical problems, but produces knowledge through evidence, affect and bodily awareness. In contrast to scientific discourse, which is based on objectivity and distance, performance works through learning, the destruction of primary schemes and the deconstruction of tired meanings. This itself has a critical potential: performance is placed against doubtful dominant ways of knowing, demonstrating the intersection of rationalist models and opening up space for alternative forms of understanding reality, which is to be consumed philosophy, mysticism and social criticism. Conclusions. As a result, the research shows that the performative mystique of late modernity stands as a richly multifaceted form of philosophical insight that goes beyond the traditional understanding of the mystique of representation. Performance functions as a subjective, bodily mediated and intersubjective practice, within which meaning, truth and knowledge are not conveyed by the action, but are constituted in the process of its creation.