Proceedings of the International scientific and practical conference ―Science at the Frontier of Progress‖ (January 27-29, 2026) / Publisher website: www.naukainfo.com. – Paris, France, 2026. - 302 p.

256 It is shown that in the minds of digital culture, performative mysticism transforms the phenomena of presence and evidence, revealing new hybrid forms of philosophical understanding of reality. The performative paradigm embraces a re- interpretation of the concept of truth as a concept and practice, and also allows us to view performance as a form of critical knowledge that places dominant epistemological and cultural narratives in doubt. In connection with this, the scientific novelty of our analysis is based on: - The performative mystique of late modernity is conceptualized as an independent form of philosophical knowledge, and not just as an artistic or cultural practice; - the epistemological potential of performance as an alternative form of knowledge production has been demonstrated, which complements classical rationalistic models of knowledge; - shows the transformation of the concept of truth in the performative paradigm as a subjective and procedural category; - an openly critical world of performative mysticism in the minds of late modernity and digital culture as a means of deconstructing dominant cultural and scientific ones. In this way, the performative mystique of late modernity can be understood as an important resource of modern philosophy, oriented towards evidence, process and mutuality. REFERENCES: 1. Austin J. L. How to do things with words. 50th anniversary ed. Cambridge, MA : Harvard University Press, 2020. 192 p. 2. Barad K. Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Durham : Duke University Press, 2021. 544 p. DOI: 10.1215/9780822388128.