Proceedings of the International scientific and practical conference ― Cambridge Science and Education Conference‖ (February 23-25, 2026) / Publisher website: www.naukainfo.com. – Cambridge, United Kingdom, 2026. - 289 p.
275 34; 3, pp. 114–119]. This principle of objectivity prioritizes the requirement of evidence, validity of conclusions and logic of research. Art-historical concepts of higher musical education in Ukraine at the beginning of the 21st century are based on theoretical principles, which include the following: 1) The principle of essential analysis; 2) The genetic principle; 3) The principle of combining the logical and historical. Thus, the principle of essential analysis involves the correlation of the external, special and individual in educational phenomena, as well as penetration into their internal structure, the disclosure of laws and the purposefulness of changes. The genetic principle considers facts or phenomena based on analysis and further development, identification of changes and modifications. The principle of combining the logical and historical requires in the learning process to combine the study of the history of the object and the theory (structure, functions), the prospects for its development. From this principle arises the impression of continuity, experience, traditions, as well as scientific achievements of the past. Approaches to the organization of the process of music education in higher education are based primarily on methodological principles. These principles complement the system-prognostic and socio-ecological; personal-activity, value (axiological) approaches as the basic methodological foundations of learning [4, pp. 3–5;. 6, pp. 67–72]. The main approaches and principles of higher music education are actively manifested in the need to modernize music education. The basic principles of music education are characterized by the following: systematicity; self- organization; socialization; fundamentalization and professionalization; pedagogy and psychologization of music education; cultural correspondence and humanization; humanization; individualization of higher musical education, dialogical interaction of teachers, students, masters; intellectual and creative development of the musician. Accordingly, modern pedagogical science identifies the main methods-approaches that are the theoretical basis for the implementation and provision of higher musical education. Art historical concepts necessarily take into account a systemic approach, which considers the training of specialists in the system of higher music education as a
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